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Here are all the paintings of GOYEN, Jan van 01
| ID |
Painting |
Oil Pantings, Sorted from A to Z |
Painting Description |
| 6976 |
 |
Beach at Scheveningen df |
1646
Oil on canvas, 92,1 x 108 cm
Thyssen-Bornemisza Collection, Madrid |
| 6966 |
 |
Dunes sdf |
1629
Oil on wood
Staatliche Museen, Berlin |
| 6978 |
 |
Haarlemer Meer dg |
1656
Oil on canvas., 39 x 54 cm
Städelsches Kunstinstitut, Frankfurt |
| 6967 |
 |
Haymaking dg |
1630
Oil on wood, 31,5 x 50,5 cm
Pushkin Museum, Moscow |
| 6977 |
 |
Horse Cart on a Bridge sg |
1648
Oil on wood, 37 x 66 cm
Alte Pinakothek, Munich |
| 6968 |
 |
Landscape with Dunes dxg |
1630-35
Oil on panel, 54 x 37,5 cm
Kunsthistorisches Museum, Vienna |
| 6969 |
 |
Marine Landscape with Fishermen fu |
Oil on wood, 36,1 x 32,2 cm
Museum of Fine Arts, Budapest |
| 6970 |
 |
Peasant Huts with a Sweep Well sdg |
1633
Oil on oak, 55 x 80 cm
Gemäldegalerie, Dresden |
| 6971 |
 |
River Landscape with a Windmill and a Ruined Castle sdg |
1644
Oil on canvas, 97 x 133 cm
Mus??e du Louvre, Paris |
| 6980 |
 |
Seashore at Scheveningen dg |
1645
Oil on wood, 53 x 71 cm
The Hermitage, St. Petersburg |
| 6982 |
 |
View of Dordrecht dg |
1644-53
Oil on canvas, 97 x 148 cm
Mus??es Royaux des Beaux-Arts, Brussels |
| 6984 |
 |
View of Dordrecht from the Oude Maas sdg |
1644
Oil on canvas, 103,5 x 133,5 cm
Kunsthistorisches Museum, Vienna |
| 6972 |
 |
View of Leiden cdfh |
1643
Oil on wood, 39,8 x 59,9 cm
Alte Pinakothek, Munich |
| 6983 |
 |
View of Leiden dg |
1650
Oil on canvas
Stedelijk Museum De Lakenhal, Leiden |
| 6981 |
 |
View of The Hague in Winter dg |
1645
Oil on panel, 52 x 70 cm
The Hermitage, St. Petersburg |
| 6974 |
 |
View of the Merwede before Dordrecht sdg |
Oil on wood
Rijksmuseum, Amsterdam |
| 6975 |
 |
Village at the River sg |
1636
Wood, 39,5 x 60 cm
Alte Pinakothek, Munich |
| 6986 |
 |
Windmill by a River fg |
1642
Oil on panel, 29,4 x 36,3 cm
National Gallery, London |
| 64697 |
 |
Winter |
1645 Oil on panel, 52 x 70 cm The Hermitage, St. Petersburg *** Keywords: ************* Author: GOYEN, Jan van Title: Winter, 1601-1650, Dutch , painting , landscape |
| 6987 |
 |
Winter dgh |
1645
Oil on panel, 52 x 70 cm
The Hermitage, St. Petersburg |
| 6985 |
 |
Winter on the River dg |
Oil on wood
Gemäldegalerie, Dresden |
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| GOYEN, Jan van
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| Dutch Baroque Era Painter, 1596-1656
Jan van Goyen was born in Leiden on Jan. 13, 1596. Apprenticed from the age of 10, he had several masters. About 1617 he went to Haarlem to study with Esaias van de Velde, an important innovator in the Haarlem movement of realistic landscape painting. Van Goyen's works between 1621 and 1625 are sometimes hard to distinguish from those of his teacher. They are colorful, detailed views of villages and roads, usually busy with people, as in Winter (1621). It was Van Goyen's usual practice to sign or monogram and date his paintings. He traveled extensively through the Netherlands and beyond, recording his impressions in sketchbooks, occasionally with dates and often depicting recognizable scenes. Thus the chronology of his development is clear. His paintings of the late 1620s show a steady advance from the strong colors and scattered organization of his early works toward tonality and greater simplicity and unity of composition. By 1630 he was painting monochromes in golden brown or pale green; he played a leading part in the tonal phase of Dutch landscape painting. In 1631 Van Goyen settled in The Hague, where he became a citizen in 1634. The simplicity, airiness, and unification of his compositions continued to increase in his abundant production of dune landscapes, river views, seascapes, town views, and winter landscapes. The River View (1636) displays a river so open and extensive as to suggest the sea, with reflections that prolong the vast and luminous sky. In its monumentalization of humble structures and its composition built on a firm scaffolding of horizontal and vertical forces, it forecast at this early date developments that dominated landscape painting in the 1650s and later. In the Village and Dunes (1647) the traditional double-diagonal composition still exists, but it is dominated by horizontal and vertical accents. Stronger contrasts of light and dark replace the earlier tonality. In the last year of his life Van Goyen produced an eloquent new style, in which powerful forms stand out against the radiant sky and water in an exquisitely balanced composition (Evening Calm; 1656). The commission in 1651 to paint a panoramic view of The Hague for the Burgomaster's Room shows the high regard in which Van Goyen was held. He was enormously productive; well over 1,000 of his paintings still exist, and almost as many drawings. Yet he died insolvent, perhaps because of losses in his various business ventures, and soon after his death on April 27, 1656,
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